Musicians & Music

Meet the extraordinary men and women of Northshore Concert Band who have dedicated their lives to making music!


Mollie McDougall2

Mollie McDougall plays the French Horn and has been with the Northshore Concert Band since 2005. She is a Band and Orchestra Director and lives in Evanston, Illinois.

When and why did you start playing? Syracuse, NY – my grandmother used to play piano and everyone would stand around and sing – I wanted in on the action and started playing piano when I was 6 and horn when I was 10.

What do you enjoy most about playing? I love making music with others and finding what the greater group can create together. I love my friends in the band that support me and l love learning from them and passing on what I learn to my students.

Do you have a favorite musical memoryPlaying chamber music at Sarasota Chamber Music Festival with musicians from all over the world.

What are your musical influences? Gail Williams, Greg Miller

Who was your most influential music teacher? My high school band director, Andrew Perry

Does anyone in your family play music? My sister is a singer and violinist, my grandmother was a pianist and a great music appreciator.

What’s on your iPod? EVERYTHING – U2, Jazz, Rachimoninoff, Mahler, Bach, Beatles, Death Cab for Cutie, middle school band music….

Do you have any advice for young musicians? Stick with it! It gets more and more rewarding and fun!

What makes performing with Northshore Concert Band different than performing with other groups? Amazing leadership, musicianship and friendship

List three words to describe the Northshore Concert Band. Inspiring, motivating, engaging

Please add anything else that you would like our readers to know about you.  I teach middle school band and orchestra in Highland Park and have twin 3 year olds and a golden doodle.

Learn more about the Northshore Concert Band at

Follow this blog to receive more informative and entertaining interviews of Northshore Concert Band members in this Musicians & Music series!


Musicians & Music

Meet the extraordinary men and women of Northshore Concert Band who have dedicated their lives to making music!


jason lucker1_eidted

Jason Lucker plays the Trumpet and has been with the Northshore Concert Band since 2015. He is a Musician with the Navy Band Great Lakes and lives in Waukegan, Illinois.

When and why did you start playing? I started playing in 6th grade because all my friends were joining band, so obviously I went along with them. I chose trumpet because lf the very first note in my favorite movie at the time: Star Wars.

What do you enjoy most about playing? I love trying to evoke a real emotional response from the people who here me (hopefully a positive one, if everything goes well). Whenever I hear a great performance that truly means something to me, I am inspired to try to make my next performance of whatever I’m playing, whether it’s Sousa or Husa, just as meaningful to the audience.

Do you have a favorite musical memory?  I will never forget playing for what seemed like 2000 children at a school in Manila, Philippines. We played a mix of pop tunes, jazz, classical pieces, and American marches, as well as a couple of Tagalog songs. But no matter what we played, the kids and their teachers gave a great response, smiling, clapping along, cheering, etc. It took a full two hours to get to our changing room after the concert because they all wanted pictures and signatures afterward. The whole experience was incredible.

What are your musical influences? I have many musical influences, but two stand out. First, I absolutely adore Chris Martin and everything that comes out of the end of his bell. I think his sound is the most beautiful trumpet playing I’ve ever heard. The first time I heard him play, I was in a rut when it came to my instrument, and I was entirely ready to give up and move on to other things. But Chris’s sound with the CSO brass section inspired me to get back in the practice room and never turn back. And having gotten to meet him after a NCB concert, he’s a great guy in person, too. Second is one of my best friends and my personal mentor, a middle/high school band director in a small school in Indiana. I’ve never met anyone who cared about or put so much of themselves into their daily job as her and if I can reach even a fraction of that amount of dedication to my instrument and my career, I will consider my efforts a success.

Who was your most influential music teacher? Dr. Robert Grechesky, former director of bands at Butler University. Not only did I learn a great deal about conducting from him, but I learned how to love band music under his baton. Before studying at Butler, I was very much an orchestra snob and thought little of wind bands and wind band music. But it’s literally impossible to dislike band working with a man like Dr. Grechesky and I’m very grateful for getting to work with him.

Does anyone in your family play music? Not in my immediate family. I have a cousin with a doctorate in church music who plays organ very well, but I don’t see him much.

What’s on your iPod? Literally everything from Ludacris to to Sibelius. Because I’m required to play a wide range of musical styles for work, I listen to just about everything so I can have a good grasp of what I should sound like. Plus, it’s easier to like what I’m playing if I can learn to find something to like when listening to it.

Do you have any advice for young musicians? You do not have to practice on days that you do not eat. That is not an excuse to choose not to eat.

What makes performing with Northshore Concert Band different than performing with other groups? Everyone in the group is there because they want to be. And because the musical expectations are set high by Dr. Thompson, everyone works hard to be prepared for our rehearsals and concerts.

List three words to describe the Northshore Concert Band. Fun. Dedicated. Engaged.

Learn more about the Northshore Concert Band at

Follow this blog to receive more informative and entertaining interviews of Northshore Concert Band members in this Musicians & Music series!

Peter Lograsso: Fiddler on the Loose!

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Our Spring concert, Giving Voice to the Silenced, honors Holocaust Remembrance Day and Earth Day through a musical program that offers a story of vitality, loss, contemplation, and possibility.

The centerpiece of the first half of this program is a specially constructed “Remembrance Suite” that includes Jack Stamp’s Scenes from Terezin, which is based upon the poems of Ava Scholsova and Fronta Bas, both of whom died in the Auschwitz concentration camp.  Our Suite also includes John William’s dramatic Theme from Schindler’s List, which features one of our own members, Peter Lograsso, on violin.

Peter, an orchestra director, has played the tuba with the Northshore Concert Band for 28 years.

We asked him share his thoughts on playing both the violin and the tuba.

The violin is actually my major instrument, not the tuba. I started playing the violin in first grade after hearing a performance by members of the Cleveland Orchestra at my elementary school. Shortly after that my parents enrolled me in a Suzuki violin program at our church. It wasn’t until the 5th grade that band lessons were offered at my school. I started learning the trumpet so I could be in the band with all my friends. During my years in school I played the french horn, trombone, and eventually the tuba. My band director needed someone to play the tuba and I figured, why not?

I’ve always enjoyed the dichotomy of playing the violin and the tuba. The two instruments play such different roles in an ensemble. As a music educator, I really feel that my experience with both instruments has helped me develop a deeper appreciation and understanding of the importance of every section of the band or orchestra. The violin is the soprano, the “diva” of the orchestra. In an orchestra the violin carries the melody the majority of the time, much like the flutes and clarinets in a band. The tuba is the bass, the “rock.” It provides the fundamental sound that everyone else must listen to and build upon.

I always ask my orchestra students, “What is the most important instrument in the orchestra?” Their answer is almost always the violin. I say to them “No, the violins just think they’re the most important!” It’s the bass that is the most vital instrument of all. Without a strong, stable foundation, you won’t have a strong ensemble.

We also asked Peter to share this thoughts on performing a solo with the Northshore Concert Band.

It’s a real thrill to play a solo with the Northshore Band. This is the second time that I’ve had the opportunity. In the Summer of 2001 the band toured the South of France and I played “Highlights from Fiddler on the Roof.”

I have such respect and admiration for all of my colleagues in the Northshore Band. I’ve been a member of the band for my entire adult life. John Paynter invited me to join the tuba section right after I graduated from Northwestern, and I’ve been here ever since.

Many of the closest friends in my life are members of the Northshore Band. We make music together every Wednesday night, but we share so much more.

Don’t miss Peter Lograsso’s solo violin performance during Giving Voice to the Silenced, 3:00 pm April 23, 2017 concert at Pick-Staiger Concert Hall on the beautiful Northwestern University campus in Evanston, Illinois.

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Be sure to check out Peter in the NCB Tuba’s “Baseball Card” in the Giving Voice to the Silenced concert program book (pp 23-24)!

Hear the Music. See the Music. Feel the Music.

When you go to a concert hall you will hear the music, you will see the music and you will feel it come alive!


It is important that children develop an appreciation of the arts!  It develops their language and listening skills, increases their attentions span, and teaches them creativity, discipline and self-esteem. Taking children to live concerts helps them gain an appreciation for music. They are given the opportunity to see musicians that love performing music! There is an “event” quality to a live concert at a concert hall that children realize and appreciate.


The Lifetime of Music event, now in its 15th year, is designed to introduce young musicians to the idea that “music is for a lifetime”.  It is an extraordinary opportunity for students to gain the experience of being a part of a large symphonic sound as they join the members of the world-renowned Northshore Concert Band to perform on the stage of the Pick-Staiger Concert Hall. It is also an extraordinary opportunity for children to sit in an audience and see other children performing on stage.

This was such an amazing experience. I truly appreciated every part and it was an honor playing with a very well-known band. It’s my dream to eventually conduct a band as great as this one. I hope to come back and perform again!”                 –Alex Damato, Lifetime of Music student, Westchester, IL

This musical performance is a highlight of every season. In this year’s concert, titled Youthful Spirit, students and band members combine to perform exuberant music that expresses a cheerful American spirit with heartfelt optimism!


The students truly enjoyed everything about the event and were inspired by the dedication of adults to the continuation of their musical journeys.  My seniors involved in this concert expressed their interest in signing up for band in college and continuing to play in a community band in the future because of the experience they had.”   –2016 Lifetime of Music participating band director

The Northshore Concert Band has brought music to the Chicago metropolitan area for 61 years. Their engaging music education programs demonstrate to younger musicians that there are opportunities for them to play and enjoy their instruments their entire lives, regardless of whether they choose a musical vocation.



Concert Information: Youthful Spirit Sunday, February 12, 2017, 3:00 pm Pick-Staiger Concert Hall, Northwestern University, 50 Arts Circle Drive, Evanston, Illinois

Ticket Information: Individual concert tickets are $20 each, seniors $15, students/children $10. Tickets are available in advance or at the box office on the day of the concert. The box office opens at 2:00 pm on the day of the concert. Online Tickets are available here.

Bring A Group! To make these unforgettable performances accessible for music lovers of all ages we offer special group rates to groups of 10 or more.  Call us at 847-432-2263 or email  to customize your group ticket package today!


Experience the Musical Excellence of Northshore Concert Band

Music Is For A Lifetime!



In a highlight of the season, some of the most talented young musicians in the Chicagoland area join the Northshore Concert Band for our “Lifetime of Music” program.

This Lifetime of Music concert celebrates both the youthful spirit of our student guests and that same spirit that exists in all of us. Percy Grainger toured the British countryside, collecting folk songs and preserving them on wax cylinders. His colorful masterwork, Lincolnshire Posy, is a delightful depiction of both the folk songs and personalities of the folk singers that he recorded. The students and band members combine to perform exuberant music that expresses a cheerful American spirit with heartfelt optimism!  Our popular Annual Silent Auction will be held in connection with this concert and is held in the lobby of the Pick-Staiger Concert Hall.


Program highlights will include:

  • Stampede – Steven Bryant
  • Lincolnshire Posy – Percy Grainger/ed. Frederick Fennel
  • Overture to Russlan and Ludmilla –Mikhail Glinka/arr. Matt Johnston


Concert Information:

Youthful Spirit

Sunday, February 12, 2017 at 3:00 pm
Pick-Staiger Concert Hall, Northwestern University, 50 Arts Circle Drive, Evanston, Illinois

Ticket Information:

Individual concert tickets are $20 each, seniors (65+) $15, students/children $10.
Tickets are available in advance or at the box office on the day of the concert.

The box office opens at 2:00 pm on the day of the concert.

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Music is a natural part of everyone. It creates an atmosphere of fun, interaction and excitement. That is why children are naturally drawn to it. If we nurture this ability, music will provide a lifetime of enjoyment and creativity.


The Northshore Concert Band 11th Annual Silent Auction


The Northshore Concert Band is thrilled to announce our 11th Annual Silent Auction!

Proceeds from our Silent Auction, held on Sunday February 12, 2017 in connection with our Winter concert Youthful Spirit, will benefit our Lifetime of Music education and outreach initiatives.

Our 10th annual Silent Auction, held on January 31, 2016, was a roaring success thanks to the generous support of the community, area businesses, arts organizations, band members, family members, friends, and others who support our mission! Please consider donating to this year’s popular annual event!  Gift certificates and tickets from your business and organization will not only enable you to support the Northshore Concert Band, it will allow you to gain new business!


Last year’s exciting auction items included a backstage tour of the Civic Opera House, a family pass to the Kohl Children’s Museum, and a day at the Chicago Botanic Garden. Sports fans were eager to bid on a variety of tickets to sporting events including the Chicago White Sox, Loyola University Chicago basketball and Northwestern University football.


Also up for bid were many amazing performance tickets including the Chicago Symphony Orchestra at Symphony Center and at Ravinia Festival, Chicago Sinfonietta, The Joffrey Ballet, Music of the Baroque, Giordano Dance Chicago at Harris Theater for Music and Dance, Chicago Shakespeare Theater, Hubbard Street Dance Chicago, comedy improv, a performance at the Museum of Contemporary Art Chicago or the North Shore Center for the Performing Arts in Skokie, a play at the Goodman Theatre or Broadway In Chicago or the opening night of the Alvin Ailey American Dance Theater at the Auditorium Theatre of Roosevelt University.


There were many music-themed items as well, including dance class certificates for Lou Conte Dance Studio and American Rhythm Center, private music lessons and instrument repairs, a membership with the Old Town School of Folk Music, a unique violin art piece and a gift certificate towards the purchase of a piano. Notably, the Paynter family generously donated two pieces of music history; a John P. Paynter autographed Northwestern Wildcats album and an inscribed conducting baton used by Barbara Buehlman!donor-logo-image3

As a thank you for your generous donation, the Northshore Concert Band would like to offer you two complimentary tickets to our Winter concert Youthful Spirit on February 12, 2017. We will also acknowledge your contribution in our Spring concert program book as well as on our social media channels.

Follow this link to the donation form

If you have any questions about what you should donate or need help with your donation, one of our Silent Auction committee members would be happy to help!                                        Email us at or phone 847-432-2263.

11th Annual Silent Auction
February 12, 2017
Pick-Staiger Concert Hall lobby, Northwestern University campus, Evanston
Bidding begins at 2:00 pm!

The Northshore Concert Band is a not-for-profit (501c3) organization. Donations may be eligible for a tax deduction.

Thank you for supporting the Northshore Concert Band!

Learn more about the Northshore Concert Band at

Follow this blog to receive the most up-to-date Northshore Concert Band news including  informative entertaining interviews of NCB musicians!

Make a Difference This Holiday Season!


Charitable giving  continues its upward trend!  This increase is testament to the growing role that charitable organizations play in our society.Make a difference this holiday season by giving to the Northshore Concert Band!

Here are 9 positive effects of giving.

1. You Will Feel Good!

Donating money makes you feel better.  It makes you realize that even if you don’t have much, you have enough to share with others.  A Harvard Business School study suggests that giving to others is directly correlated with an increased sense of happiness.


2.You Will Help Those In Need!

When you donate to charities that truly make a difference, you will feel the satisfaction that only giving can bring.  You will know that your donation has made a positive impact on that organization and the lives that it touches.


3. You Will Be A Part Of Something Bigger!

Even if you are only able to donate a small amount of money, your gift will be joined with the gifts of others and become something much bigger! A small donation really can make a big difference!

4. You Will Get a Tax Deduction!

A gift to a qualified charitable organization may entitle you to a charitable contribution deduction against your income tax if you itemize deductions. Be sure to consult your tax advisor for the federal, state, and local tax consequences of a charitable contribution.


5. You Can Support Something That is Close to Your Heart!

Everyone is passionate about something.  Making a donation to an organization that inspires you shows your support of their efforts and of their mission. Supporting a cause can give your life a greater purpose. This is one of the most valuable aspects of charitable giving. Everyone needs passion in their life.


6. Your Support Will Set An Example

Donating to a charitable organization shows everyone that you want to make the world a better place.  It will set an example to your children, grandchildren, friends and family and instill in them a desire to share and serve.  Those around you will be inspired and influenced by your generosity.

7. You Can Honor A Loved One

Making a financial contribution is an excellent way to honor someone in your life or to celebrate the memory of someone who has passed.

8. Your Generosity is Valued

Donors truly make a difference!  You can not underestimate how important you are to the organizations that you support. The financial generosity of individuals like you makes our many musical and educational activities possible.


9. You Can Donate Today!

While the act of giving is immediate, your relationship with the organizations that you support will be long-term!


Please make a generous contribution to the Northshore Concert Band so the music will continue to inspire, engage, and excite our audiences.  Your support in any amount is greatly appreciated.

Thank you for joining us in ensuring the ongoing success of the Northshore Concert Band.

Gene Pokorny Interview (Part One)

The Northshore Concert Band is honored to welcome Guest Soloist Gene Pokorny, Principal Tuba Of The Chicago Symphony Orchestra for the first concert of our 61st season!  Widely considered the finest tuba player in the world today, our November 6, 2016 concert, entitled Reflections, marks his first solo performance with the Northshore Concert Band!

Before joining the Chicago Symphony Orchestra he was tuba player in the Israel Philharmonic, the Utah Symphony, the St. Louis Symphony and the Los Angeles Philharmonic. In addition to playing film scores in Hollywood such as Jurassic Park and The Fugitive,  he is a member of the Union Pacific (Railroad) Historical Society and spends time as a “foamer” (watching and chasing trains) as well as a card-carrying member of The Three Stooges Fan Club.


Northshore Concert Band member Paul Bauer recently interviewed Gene Pokorny. Below is part one of this fascinating peek into the life of this remarkable musician.

Please tell us a bit about your journey through trumpet, saxophone, and clarinet to the tuba.

My dad was a trumpet player.  I followed in his footsteps and picked up the trumpet soon after I had started on piano.  I started on the wrong foot by using too much mouthpiece pressure and was very tense.  My dad knew this was not right so I switched to saxophone.  Soon thereafter I switched to clarinet.  When I was in 8th grade, the tuba player in the junior high band was graduating and they needed somebody to play.  When you’re sitting in a junior high clarinet section, the sounds are enough to make you start to see dead relatives…and my sounds were at least as bad as my clarinet-playing schoolmates.  So moving to the tuba at the back of the band room was the easy way out especially since it was also closest to the back door and a quick escape to snack period.  Eventually, I stuck with the tuba into high school.  At one point, one of the tuba players in the high school band said he wanted to have a brass quintet play at the Moravian Church of Downey where his dad was the reverend.  When we played at the church, I noticed the choir director pick up a trombone and started to play during the offertory.  I thought he sounded good and I told him.   I found out the next week that Jeff Reynolds (the choir director) had just won the Los Angeles Philharmonic bass trombone job!!  So I started to really get interested in low brass instruments.  I took some bass trombone lessons from him.  I realized right away that I would never, ever, ever become as good as he was on bass trombone.  So I thought it would be better to stick with the tuba.  I took some lessons from him, and eventually he said I should take some tuba lessons from Roger Bobo [tubist in the Los Angeles Philharmonic].  So I did.  I was getting hooked big time.  I started to listen to Roger Bobo’s recordings.  While I was impressed with his playing, my goal was to become a high school band director as a rebellion against my really diminutive high school music program: 2,300 students in the high school and we had 25 people in the band.  It was next to nothing and very depressing.  I kept the playing up but my main goal was to become a band director.  I was a music education major when I first went to college at the University of Redlands.  Everything changed however on the night of May 13, 1973.  A visiting orchestra came to San Diego which some of my pals at Redlands and I attended.  It was the Chicago Symphony Orchestra conducted by Georg Solti playing Mahler Symphony #5.  That evening made a big difference in my outlook.  I decided to take the plunge and try to become a professional performer and leave the band director goals behind.   I transferred to the University of Southern California, because Tommy Johnson taught there.  He was the final word as far as learning how to play the tuba in Southern California although I still took lessons from Roger Bobo.  In the spring of 1975, I received a call from Bobo who said that there was a tuba position open in the Israel Philharmonic.  He thought I should audition for it.  I would be playing for Zubin Mehta [Music Director of the Los Angeles Philharmonic and Conductor/Music Advisor of the Israel Philharmonic].  It was pretty easy to drive to the audition site at the Los Angeles Music Center.  The trombone section from the LA Philharmonic listened along with Mehta to me and a couple other players.  Mehta had some other people to listen to in other cities.  I drove back to USC and continued my day.  It was about two weeks later that I got a call from Bobo, who said that Mehta wanted me for the Israel Philharmonic and I should give him a call at a hotel in Italy.  I was on cloud nine.  I gave him a call and I got a contract in the mail. [Gene graduated from USC and then began playing with the Israel Philharmonic in 1975].

What do you enjoy most about your life as a musician?  

While I very much enjoy being on stage playing in the orchestra, I really enjoy playing recitals, picking my own repertoire, and having the privilege of introducing new music, old music, abused music and/or unused music, to people.    I like the opportunity to be able to stand in front of an audience and open the musical doors wide and be welcoming so people can relate to what they are about to listen to.  I think it’s really important to do that.  If you are playing a great piece of music, serve it on bona fide china rather than on a paper plate.  It will make it seem more special to the people listening.  By telling just a few facts about the music or the composer at the time of his writing a piece, you can greatly enhance the perception of how the piece is heard.

Chicago Symphony Orchestra Russia and Italy Tour

CSO tuba Gene Pokorny hits a few high notes in warm up before a concert in Brescia.             © Todd Rosenberg Photography 2012

Please share a bit about memorable experiences you have had playing in bands.

My high school experience with bands was very unrewarding.  I learned that it could have been much different and a lot better when I went to several summer music camps.  One was at the Idyllwild School of Music and Arts [now called the Idyllwild Arts Academy]. The band director when I was there was Benton Minor [who taught at the California State University – Fullerton]. He was a highly-disciplined task master who insisted that you always show up at least 10 minutes before rehearsal and that you always have a rehearsal pencil.  If not, you would suffer.  That was not a threat; that was a promise.  There have been times when I left for rehearsal here [CSO], and if I discovered that I did not have my rehearsal pencil with me, I would go home to get it.  It was better than being guilt-ridden.  The lasting impression I had of Benton Minor was the idea of a pyramidal sense of balance, where the bottom register is the strongest and most reliable in pitch and rhythm.  Consequently, the highest notes in the ensemble are of lesser importance.  I heard this idea espoused by W. Francis MacBeth [renowned wind composer] and Clarence Sawhill [band director at UCLA] who taught at Arrowbear Music Camp in California.  I thought that’s the way an orchestra should be balanced.  I later found out that that is what George Szell brought to the Cleveland Orchestra.  Anyway, after my orchestra career started, I really missed playing in band and its repertoire – Gustav Holst’s Military Suites, Ralph Vaughan Williams’ Toccata Marziale, H. Owen Reed’s La Fiesta Mexicana, music of Roger Nixon, etc.  The only band repertoire that made it onto the orchestra stage was when Erich Leinsdorf conducted the St. Louis Symphony in an orchestral version of Karel Husa’s Music for Prague 1968, which I remember from high school honor band. There have been times when I have gone incognito in some local community bands either hiding in the tuba section or hiding in the third clarinet section.


What have been some of your musical influences?

Majors influences (some retired/late) include:

Larry Johansen – taught tuba at University of Redlands when I first arrived there in 1971.

Jeff Reynolds (bass trombone – Los Angeles Philharmonic, choir director – Moravian Church of Downey, California). Influential teacher, hero.  He was my model.

Roger Bobo (tuba – Los Angeles Philharmonic) The singularly most distinctive tuba sound around.  He is to tuba as Pavarotti was to being a tenor. 

Tommy Johnson (tuba – Los Angeles studios) Influential teacher during formative time.  Crown prince of the low register.

Red (David) Lehr (sousaphone – St. Louis; traditional jazz, ragtime, dixieland) I don’t know of a player who plays any smoother. Red is the most amazing legato tuba player I have ever heard, and his main influence was Pete Fountain (iconic New Orleans traditional jazz clarinetist)

Mordechai Rechtman (Principal bassoon – Israel Philharmonic) He could completely control the orchestra with his instrument from where he was sitting.

George Silfies (Principal clarinet – St. Louis Symphony) A consummate musician.

Arnold Jacobs (tuba – Chicago Symphony) had a distinctive sound and tension-less approach.

Floyd Cooley (tuba – San Francisco Symphony) Had a solo sound that offered another approach for me from my earliest influences

Rex Martin (Professor of tuba – Northwestern University) I’d describe him as a young and vital Arnold Jacobs with an amazingly large tool box to help fix playing problems.

Warren Deck (tuba – New York Philharmonic) Is probably my favorite orchestral tuba player.

Larry Combs (Principal clarinet – Chicago Symphony) One of those players who never failed to take my breath away. 

Steve (Stephen) Williamson (Principal Clarinet – Chicago Symphony Orchestra) I never thought I’d hear anyone as good as that.

Michael Mulcahy (trombone – Chicago Symphony Orchestra) The only predictable thing about Mulcahy’s playing is that it is unpredictable. When I attend a recital of his, I know I am going to have an exciting ride.

Please join us on Sunday, November 6, 2016 at 3:00 pm at Pick-Staiger Concert Hall, Northwestern University; 50 Arts Circle Drive in Evanston, Illinois for Reflections,  conducted by Artistic Director Mallory Thompson, and featuring guest soloist Gene Pokorny, Principal Tuba of the Chicago Symphony Orchestra!

Program highlights will include:
Elegy – John Barnes Chance
Gene Pokorny, tuba soloist
o Turbulence – Bruce Broughton
o Over the Rainbow – Harold Arlen/arr. Alan Morrison/trans. Joseph Kreines
Festive Overture – Dmitri Shostakovich/arr. Donald Hunsberger
October – Dmitri Shostakovich/arr. Preston Mitchell

Ticket Information:
Individual concert tickets are $20 each, seniors $15, students/children $10.To make these unforgettable performances accessible for music lovers of all ages we offer special group rates to groups of 10 or more.  Call us at 847-432-2263 or email  to customize your group ticket package today!

Tickets are available in advance or at the box office on the day of the concert.
The box office opens at 2:00 pm on the day of the concert.

For More Information:
Visit or call (847) 432-2263.

Support the Northshore Concert Band!

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Thanks to the generosity of supporters like you, the Northshore Concert Band just completed its historic 60th season.

NCB is unique in the exceptional quality of its performances and in its outreach to young musicians. Among other accomplishments this season, we were joined by nationally recognized artists, over 20,000 audience members enjoyed NCB performances, thousands of young music students participated in our multi-day festival of music at Northwestern University, selected Chicago area students performed alongside NCB musicians at our Lifetime of Music concert in February, and dozens of alumni joined us for our June concert.

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We work hard to make our concert income and Festival registration fees stretch as far as possible, but those sources don’t cover the cost of our musical productions and educational programming.  And, for the past two seasons, the Illinois Arts Council has been unable to offer grants which are so important to us, leaving NCB with a deficit of approximately $10,000.  We depend on the generous donations of our supporters.

We respect the demands on arts supporters in these difficult times.  We hope, though, that you value our musical and educational work, and we ask that you support us with a generous donation.

Support Your Favorite NCB Member’s Passion for Music!

 $5,000 Supports the Conductor’s Podium for the season.

 $1,500 Supports the Conductor’s Podium for one concert.

 $400 Supports an NCB musician for the season.

 $150 Supports an NCB musician and a student musician at Lifetime of Music concert.

 $100 Supports an NCB musician for one concert.


Unrestricted gifts provide the Band with the most flexibility and offset expenses not covered through ticket sales or Festival registrations. Quick, easy, and secure contributions can be made at or via mail with a check to the Band at Northshore Concert Band, 1555 Sherman Ave. #315, Evanston, IL 60201-4421.

Thank You for Supporting the Northshore Concert Band!

The NCB is a not-for-profit (501c3) organization.

Your gift is tax deductible to the fullest extent allowed by law.






Musicians & Music

Meet the extraordinary men and women of Northshore Concert Band who have dedicated their lives to making music!


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Brad Say plays the Trombone and has been with the Northshore Concert Band since 1999. He is a Music Educator and lives in Mundelein, Illinois.

When and why did you start playing? My influence was my much older cousin who played trumpet and listening to the Lawrence Welk Orchestra! I started on trumpet in 4th grade, switched to baritone/euphonium in 9th grade and picked up trombone at age 21. I now play trombone in NCB and euphonium in another group.

What do you enjoy most about playing? The beauty involved when everyone in the ensemble is engaged and playing at a high level! That doesn’t always happen, but when it does its magic!

Do you have a favorite musical memory?  There are MANY, but two that stick out are playing for the Macy’s Thanksgiving Day as part of the McDonald’s All-American Band and the Desert Storm Ticker Tape Parade in New York City. With NCB, our concert in Niedershopheim, Germany. The band and the audience were amazing.

What are your musical influences? The President’s Own Marine Band, Several of the British and European top brass bands, Steven Mead, David Childs, Christian Lindberg, Chris Martin, Jay Friedman, Michael Mulchahy, Gene Pokorny, Brett Baker… and many others.

Who was your most influential music teacher? Rex Martin at Northwestern Univ, and Steven Mead (even though I only had one lesson with him)

Does anyone in your family play music? My brother plays drums.

What’s on your iPod? Rock/Pop (mostly 80’s), classical, jazz, wind band music, brass band music

Do you have any advice for young musicians? Listen and practice more. Its a big world. You may be the best in your school, region, or even state, but there are always people way better than you!

What makes performing with Northshore Concert Band different than performing with other groups? How big it is. It is much different approach then having mostly one player on a part in a smaller group. Also, the high musicality demand from Dr. Thompson.

List three words to describe the Northshore Concert Band. Musically engaging, Fun, Loud

Please add anything else that you would like our readers to know about you.  I recently retired from the Wisconsin Army National Guard Band with 21 years in WI and 5 years in active duty army bands.


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