American Composer David Maslanka

On April 23, 2017, the Northshore Concert Band continues its 61st season with Giving Voice to the Silenced. This powerful musical program features two works by acclaimed American composer David Maslanka; California and A Child’s Garden of Dreams.

A Child’s Garden of Dreams  was commissioned by and dedicated to Northshore Concert Band founder John P. Paynter and his wife Marietta Paynter and the Northwestern University Symphonic Wind Ensemble. The Northshore Concert Band will perform A Child’s Garden of Dreams at Pick-Staiger Concert Hall at Northwestern University in Evanston where it was first performed 35 years ago.  Mr. Maslanka offers up this description of his work:

“A Child’s Garden of Dreams” came about through a commission from John Paynter of Northwestern University. The music was composed in 1981, and the premiere performance was at Northwestern in 1982. Paynter had asked me to write a piece that was the wind equivalent of Bartok’s “Concerto for Orchestra.” This was a daunting challenge but I said “Sure!” The five movements of “A Child’s Garden” are based on dreams of a young girl who, unknown to her, was at the end of her life. The dreams were presented and discussed by the psychologist, Carl Jung, in his book, “Man and His Symbols.” The dreams are about transition and transformation, a prefiguring of her passing. Jung found it both disturbing and fascinating that such dreams could come through a child. I have long been fascinated by ideas of transformation, in this life, and beyond, and my music is an attempt to capture the central energy of each of the dreams. Sometimes there is graphic illustration as in the third dream where animals grow to an enormous size and devour the girl, and sometimes there is a subtle parallel flow of music and philosophical thought, as in the second dream: “A drunken woman falls into the water and comes out renewed and sober.” What is evoked by both the dreams and the music is a much larger view of life and death than we normally have.”

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The program also features California, premiered February 13, 2016 by the California All-State Wind Symphony and was conducted by Northshore Concert Band’s Conductor and Artistic Director Dr. Mallory Thompson. Mr. Maslanka describes this piece:

“California” was written for the the 2016 California All-State Band, and the premiere performance was conducted in San Jose by Mallory Thompson. Music education in California had seen a revival after years of funding cuts, and there was a renewed statewide sense of possibility in public school music teachers. I was asked to write a piece that might reflect some of that new-found energy and purpose. My thinking went deeper to touch some fundamental element of the strength of the California land and its people. The music is quietly and beautifully expressive at the outset, and rises to moments of great intensity before settling once more to a quiet close.”

 

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Born in New Bedford, Massachusetts David Maslanka attended the Oberlin College Conservatory where he studied composition with Joseph Wood. He spent a year at the Mozarteum in Salzburg, Austria, and did masters and doctoral study in composition at Michigan State University where his principal teacher was H. Owen Reed.

Maslanka’s music for winds has become especially well known. Among his more than 130 works are forty pieces for wind ensemble, including seven symphonies, fifteen concertos, a Mass, and many concert pieces. His chamber music includes four wind quintets, five saxophone quartets, and many works for solo instrument and piano. In addition, he has written a variety of orchestral and choral pieces.

David Maslanka’s compositions are published by Maslanka Press, Carl Fischer, Kjos Music, Marimba Productions, and OU Percussion Press. They have been recorded on Albany, Reference Recordings, BIS (Sweden), Naxos, Cambria, CRI, Mark, Novisse, AUR, Cafua (Japan), Brain Music (Japan), Barking Dog, and Klavier labels. He has served on the faculties of the State University of New York at Geneseo, Sarah Lawrence College, New York University, and Kingsborough Community College of the City University of New York, and since 1990 has been a freelance composer. He now lives in Missoula, Montana. David Maslanka is a member of ASCAP.

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A special thank you to Mr. Maslanka for generously offering us his thoughts on his two beautiful works and for giving permission to reproduce this material.  Please visit his website at www.davidmaslanka.com to learn more about this American composer.

Giving Voice to the Silenced

Sunday, April 23, 2017, 3:00 pm

Pick-Staiger Concert Hall, Northwestern University, 50 Arts Circle Drive, Evanston, Illinois

Hear the Music. See the Music. Feel the Music.

When you go to a concert hall you will hear the music, you will see the music and you will feel it come alive!

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It is important that children develop an appreciation of the arts!  It develops their language and listening skills, increases their attentions span, and teaches them creativity, discipline and self-esteem. Taking children to live concerts helps them gain an appreciation for music. They are given the opportunity to see musicians that love performing music! There is an “event” quality to a live concert at a concert hall that children realize and appreciate.

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The Lifetime of Music event, now in its 15th year, is designed to introduce young musicians to the idea that “music is for a lifetime”.  It is an extraordinary opportunity for students to gain the experience of being a part of a large symphonic sound as they join the members of the world-renowned Northshore Concert Band to perform on the stage of the Pick-Staiger Concert Hall. It is also an extraordinary opportunity for children to sit in an audience and see other children performing on stage.

This was such an amazing experience. I truly appreciated every part and it was an honor playing with a very well-known band. It’s my dream to eventually conduct a band as great as this one. I hope to come back and perform again!”                 –Alex Damato, Lifetime of Music student, Westchester, IL

This musical performance is a highlight of every season. In this year’s concert, titled Youthful Spirit, students and band members combine to perform exuberant music that expresses a cheerful American spirit with heartfelt optimism!

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The students truly enjoyed everything about the event and were inspired by the dedication of adults to the continuation of their musical journeys.  My seniors involved in this concert expressed their interest in signing up for band in college and continuing to play in a community band in the future because of the experience they had.”   –2016 Lifetime of Music participating band director

The Northshore Concert Band has brought music to the Chicago metropolitan area for 61 years. Their engaging music education programs demonstrate to younger musicians that there are opportunities for them to play and enjoy their instruments their entire lives, regardless of whether they choose a musical vocation.

 


 

Concert Information: Youthful Spirit Sunday, February 12, 2017, 3:00 pm Pick-Staiger Concert Hall, Northwestern University, 50 Arts Circle Drive, Evanston, Illinois

Ticket Information: Individual concert tickets are $20 each, seniors $15, students/children $10. Tickets are available in advance or at the box office on the day of the concert. The box office opens at 2:00 pm on the day of the concert. Online Tickets are available here.

Bring A Group! To make these unforgettable performances accessible for music lovers of all ages we offer special group rates to groups of 10 or more.  Call us at 847-432-2263 or email adam@northshoreband.org  to customize your group ticket package today!

 

Experience the Musical Excellence of Northshore Concert Band www.northshoreband.org 

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Music Is For A Lifetime!

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THE NORTHSHORE CONCERT BAND CONTINUES ITS 61ST SEASON WITH YOUTHFUL SPIRIT!

In a highlight of the season, some of the most talented young musicians in the Chicagoland area join the Northshore Concert Band for our “Lifetime of Music” program.

This Lifetime of Music concert celebrates both the youthful spirit of our student guests and that same spirit that exists in all of us. Percy Grainger toured the British countryside, collecting folk songs and preserving them on wax cylinders. His colorful masterwork, Lincolnshire Posy, is a delightful depiction of both the folk songs and personalities of the folk singers that he recorded. The students and band members combine to perform exuberant music that expresses a cheerful American spirit with heartfelt optimism!  Our popular Annual Silent Auction will be held in connection with this concert and is held in the lobby of the Pick-Staiger Concert Hall.

 

Program highlights will include:

  • Stampede – Steven Bryant
  • Lincolnshire Posy – Percy Grainger/ed. Frederick Fennel
  • Overture to Russlan and Ludmilla –Mikhail Glinka/arr. Matt Johnston

 

Concert Information:

Youthful Spirit

Sunday, February 12, 2017 at 3:00 pm
Pick-Staiger Concert Hall, Northwestern University, 50 Arts Circle Drive, Evanston, Illinois

Ticket Information:

Individual concert tickets are $20 each, seniors (65+) $15, students/children $10.
Tickets are available in advance or at the box office on the day of the concert.

The box office opens at 2:00 pm on the day of the concert.

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Music is a natural part of everyone. It creates an atmosphere of fun, interaction and excitement. That is why children are naturally drawn to it. If we nurture this ability, music will provide a lifetime of enjoyment and creativity.

 

The Northshore Concert Band 11th Annual Silent Auction

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The Northshore Concert Band is thrilled to announce our 11th Annual Silent Auction!

Proceeds from our Silent Auction, held on Sunday February 12, 2017 in connection with our Winter concert Youthful Spirit, will benefit our Lifetime of Music education and outreach initiatives.

Our 10th annual Silent Auction, held on January 31, 2016, was a roaring success thanks to the generous support of the community, area businesses, arts organizations, band members, family members, friends, and others who support our mission! Please consider donating to this year’s popular annual event!  Gift certificates and tickets from your business and organization will not only enable you to support the Northshore Concert Band, it will allow you to gain new business!

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Last year’s exciting auction items included a backstage tour of the Civic Opera House, a family pass to the Kohl Children’s Museum, and a day at the Chicago Botanic Garden. Sports fans were eager to bid on a variety of tickets to sporting events including the Chicago White Sox, Loyola University Chicago basketball and Northwestern University football.

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Also up for bid were many amazing performance tickets including the Chicago Symphony Orchestra at Symphony Center and at Ravinia Festival, Chicago Sinfonietta, The Joffrey Ballet, Music of the Baroque, Giordano Dance Chicago at Harris Theater for Music and Dance, Chicago Shakespeare Theater, Hubbard Street Dance Chicago, comedy improv, a performance at the Museum of Contemporary Art Chicago or the North Shore Center for the Performing Arts in Skokie, a play at the Goodman Theatre or Broadway In Chicago or the opening night of the Alvin Ailey American Dance Theater at the Auditorium Theatre of Roosevelt University.

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There were many music-themed items as well, including dance class certificates for Lou Conte Dance Studio and American Rhythm Center, private music lessons and instrument repairs, a membership with the Old Town School of Folk Music, a unique violin art piece and a gift certificate towards the purchase of a piano. Notably, the Paynter family generously donated two pieces of music history; a John P. Paynter autographed Northwestern Wildcats album and an inscribed conducting baton used by Barbara Buehlman!donor-logo-image3

As a thank you for your generous donation, the Northshore Concert Band would like to offer you two complimentary tickets to our Winter concert Youthful Spirit on February 12, 2017. We will also acknowledge your contribution in our Spring concert program book as well as on our social media channels.

Follow this link to the donation form  https://goo.gl/LDd7E

If you have any questions about what you should donate or need help with your donation, one of our Silent Auction committee members would be happy to help!                                        Email us at info@northshoreband.org or phone 847-432-2263.

11th Annual Silent Auction
February 12, 2017
Pick-Staiger Concert Hall lobby, Northwestern University campus, Evanston
Bidding begins at 2:00 pm!

The Northshore Concert Band is a not-for-profit (501c3) organization. Donations may be eligible for a tax deduction.

Thank you for supporting the Northshore Concert Band!

Learn more about the Northshore Concert Band at http://www.northshoreband.org

Follow this blog to receive the most up-to-date Northshore Concert Band news including  informative entertaining interviews of NCB musicians!

Make a Difference This Holiday Season!

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Charitable giving  continues its upward trend!  This increase is testament to the growing role that charitable organizations play in our society.Make a difference this holiday season by giving to the Northshore Concert Band!

Here are 9 positive effects of giving.

1. You Will Feel Good!

Donating money makes you feel better.  It makes you realize that even if you don’t have much, you have enough to share with others.  A Harvard Business School study suggests that giving to others is directly correlated with an increased sense of happiness.

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2.You Will Help Those In Need!

When you donate to charities that truly make a difference, you will feel the satisfaction that only giving can bring.  You will know that your donation has made a positive impact on that organization and the lives that it touches.

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3. You Will Be A Part Of Something Bigger!

Even if you are only able to donate a small amount of money, your gift will be joined with the gifts of others and become something much bigger! A small donation really can make a big difference!

4. You Will Get a Tax Deduction!

A gift to a qualified charitable organization may entitle you to a charitable contribution deduction against your income tax if you itemize deductions. Be sure to consult your tax advisor for the federal, state, and local tax consequences of a charitable contribution.

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5. You Can Support Something That is Close to Your Heart!

Everyone is passionate about something.  Making a donation to an organization that inspires you shows your support of their efforts and of their mission. Supporting a cause can give your life a greater purpose. This is one of the most valuable aspects of charitable giving. Everyone needs passion in their life.

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6. Your Support Will Set An Example

Donating to a charitable organization shows everyone that you want to make the world a better place.  It will set an example to your children, grandchildren, friends and family and instill in them a desire to share and serve.  Those around you will be inspired and influenced by your generosity.

7. You Can Honor A Loved One

Making a financial contribution is an excellent way to honor someone in your life or to celebrate the memory of someone who has passed.

8. Your Generosity is Valued

Donors truly make a difference!  You can not underestimate how important you are to the organizations that you support. The financial generosity of individuals like you makes our many musical and educational activities possible.

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9. You Can Donate Today!

While the act of giving is immediate, your relationship with the organizations that you support will be long-term!

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Please make a generous contribution to the Northshore Concert Band so the music will continue to inspire, engage, and excite our audiences.  Your support in any amount is greatly appreciated.

Thank you for joining us in ensuring the ongoing success of the Northshore Concert Band.

Students Meet NCB Tuba Players & Gene Pokorny!

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The Northshore Concert Band tuba players met with a group of over 3 dozen students and their parents before Sunday’s season opening concert, for a lively meet and greet.  They shared stories about their experiences, answered questions and passed out souvenir keepsakes.

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Northshore Concert Band artistic director and conductor, Dr. Mallory Thompson stopped in to say hi to everyone as well!

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Those attending this fun and informal gathering were thrilled when Gene Pokorny, principal tuba with the Chicago Symphony Orchestra joined the group and shared stories about his musical background and offered encouraging words to the student musicians in attendance!  The event ended with a group photo that included the students, the NCB Tubas and Gene Pokorny.  Students were given a copy of this photo as a memento of this unforgettable experience!

We were honored to welcome Mr. Pokorny for his first solo performance with NCB!

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The Northshore Concert Band tuba players include John Harshey, a band director from Mundelein who has been with NCB for 31 years,  Rodney Owens, a band director from Lake Forest, who has also been with NCB for 31 years, Peter Lograsso, an orchestra director from Westchester who has been with the band for 28 years, Kevin Baldwin, a mechanical engineer from Des Plaines and NCB member for 10 years and Eric Weisseg, and IT manager from Chicago who has been an NCB member for 9 years.


The next Northshore Concert Band concert is our highly anticipated annual “Lifetime of Music” program.  In a highlight of the season, we are joined on stage by some of the most talented young musicians in the Chicagoland area!

Youthful Spirit

Sunday, February 12, 2017, 3:00 pm

Pick-Staiger Concert Hall, Northwestern University, 50 Arts Circle Drive, Evanston, Illinois

For More Information:
Visit www.northshoreband.org or call (847) 432-2263.

 

Images: Courtesy of Douglas Boehm

Gene Pokorny Interview (Part Two)

The Northshore Concert Band is honored to welcome Guest Soloist Gene Pokorny, Principal Tuba Of The Chicago Symphony Orchestra for the first concert of out 61st season!  Widely considered the finest tuba player in the world today, our November 6, 2016 concert, entitled Reflections, marks his first solo performance with the Northshore Concert Band!

Northshore Concert Band member Paul Bauer recently interviewed Gene Pokorny. Below is part two of this fascinating peek into the life of this remarkable musician.

Read part one of the interview here

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What advice do you have for aspiring musicians?

It is hard to get a position in an orchestra but there is always room at the top if you work hard enough and if you’ve got enough raw talent.  One caution, however.  If you want to become a professional player and have opted to be a music education major for some type of job security, fine.  But make sure you have the passion and interest for teaching.  If you really don’t care that much about being an educator and cannot be effervescent in front of a bunch of young people to turn them on to music, please do not get into music education.  The world does not need any more people in music education who are turning kids off to music.  Do something else with your life.  For everybody else, listen to as much music as you can and distill what you like or don’t like about the various music you hear. 

Which composer/musician – past or present – would you most like to meet for a coffee and why?

Gerald Finzi (1901 – 1956, British composer) was a friend with Ralph Vaughan Williams. He wrote some of the most heart-felt songs based on poems by Robert Bridges, Thomas Hardy and others.  He was a remarkable musician who never received the proper accolades he rightfully deserved.  He was a simple man but not a simplistic one.  He seemed to have core values that kept him sane after having felt many hardships in his younger days.  I could have learned a lot from him.  A couple years ago I played his Five Bagatelles, originally for clarinet solo and piano, arranged for tuba solo and band by Joseph Kreines.  That was very memorable for me.  

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What do you do to relax?

I am a “foamer.”  That is supposed to be a derogatory term given by railroad people to those of us who are railfans and hang out at railroad tracks and watch trains.  I consider that term a badge of honor.  While I am a member of the 20th Century Railroad Club and the Union Pacific Historical Society, I will spend time hanging out on the Union Pacific West line.  Nothing like grabbing cinnamon rolls from Prairie Bread Kitchen in Oak Park and watch some heavy freights roll through.  We watch the big trains on vacations as well.  Our four basset hounds are perfect foils in case I am practicing or hanging out at the tracks too much.  One place Beth, the pups and I enjoy is the Rochelle Railroad Park.  It is a drive but there is plenty of railroad action as well as diesel and creosote smells.  What could possibly go wrong? 

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If you weren’t a professional musician what would you be?

I still have a passion for being a band director.  I think I would be good at it, but I don’t know that I could do it as well as others who have less “baggage.”  If I was not involved in music, I would probably do something involved with the railroad.  That may be a more romantic than a realistic notion.  I fantasize about being an engineer running a mile-long unit coal train with 18,000 tons behind me going up a 2.5% grade with my hands on the throttle of 24,000 horsepower.  Maybe it is the transportation equivalent of being a tuba player in an orchestra.  The contribution in terms of being a solo voice is minimal but if you provide smart, controlled, massive power, the tuba can elevate the level of the entire orchestra because of the reliable foundation it provides. 


Please join us on Sunday, November 6, 2016 at 3:00 pm at Pick-Staiger Concert Hall, Northwestern University; 50 Arts Circle Drive in Evanston, Illinois for Reflections,  conducted by Artistic Director Mallory Thompson, and featuring guest soloist Gene Pokorny, Principal Tuba of the Chicago Symphony Orchestra!

Program highlights will include:
Elegy – John Barnes Chance
Gene Pokorny, tuba soloist
o Turbulence – Bruce Broughton
o Over the Rainbow – Harold Arlen/arr. Alan Morrison/trans. Joseph Kreines
Festive Overture – Dmitri Shostakovich/arr. Donald Hunsberger
October – Dmitri Shostakovich/arr. Preston Mitchell

Ticket Information:
Individual concert tickets are $20 each, seniors $15, students/children $10.                                To make these unforgettable performances accessible for music lovers of all ages we offer special group rates to groups of 10 or more.  Call us at 847-432-2263 or email adam@northshoreband.org  to customize your group ticket package today!

Tickets are available in advance or at the box office on the day of the concert.
The box office opens at 2:00 pm on the day of the concert.

For More Information:
Visit www.northshoreband.org or call (847) 432-2263.

Gene Pokorny Interview (Part One)

The Northshore Concert Band is honored to welcome Guest Soloist Gene Pokorny, Principal Tuba Of The Chicago Symphony Orchestra for the first concert of our 61st season!  Widely considered the finest tuba player in the world today, our November 6, 2016 concert, entitled Reflections, marks his first solo performance with the Northshore Concert Band!

Before joining the Chicago Symphony Orchestra he was tuba player in the Israel Philharmonic, the Utah Symphony, the St. Louis Symphony and the Los Angeles Philharmonic. In addition to playing film scores in Hollywood such as Jurassic Park and The Fugitive,  he is a member of the Union Pacific (Railroad) Historical Society and spends time as a “foamer” (watching and chasing trains) as well as a card-carrying member of The Three Stooges Fan Club.

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Northshore Concert Band member Paul Bauer recently interviewed Gene Pokorny. Below is part one of this fascinating peek into the life of this remarkable musician.

Please tell us a bit about your journey through trumpet, saxophone, and clarinet to the tuba.

My dad was a trumpet player.  I followed in his footsteps and picked up the trumpet soon after I had started on piano.  I started on the wrong foot by using too much mouthpiece pressure and was very tense.  My dad knew this was not right so I switched to saxophone.  Soon thereafter I switched to clarinet.  When I was in 8th grade, the tuba player in the junior high band was graduating and they needed somebody to play.  When you’re sitting in a junior high clarinet section, the sounds are enough to make you start to see dead relatives…and my sounds were at least as bad as my clarinet-playing schoolmates.  So moving to the tuba at the back of the band room was the easy way out especially since it was also closest to the back door and a quick escape to snack period.  Eventually, I stuck with the tuba into high school.  At one point, one of the tuba players in the high school band said he wanted to have a brass quintet play at the Moravian Church of Downey where his dad was the reverend.  When we played at the church, I noticed the choir director pick up a trombone and started to play during the offertory.  I thought he sounded good and I told him.   I found out the next week that Jeff Reynolds (the choir director) had just won the Los Angeles Philharmonic bass trombone job!!  So I started to really get interested in low brass instruments.  I took some bass trombone lessons from him.  I realized right away that I would never, ever, ever become as good as he was on bass trombone.  So I thought it would be better to stick with the tuba.  I took some lessons from him, and eventually he said I should take some tuba lessons from Roger Bobo [tubist in the Los Angeles Philharmonic].  So I did.  I was getting hooked big time.  I started to listen to Roger Bobo’s recordings.  While I was impressed with his playing, my goal was to become a high school band director as a rebellion against my really diminutive high school music program: 2,300 students in the high school and we had 25 people in the band.  It was next to nothing and very depressing.  I kept the playing up but my main goal was to become a band director.  I was a music education major when I first went to college at the University of Redlands.  Everything changed however on the night of May 13, 1973.  A visiting orchestra came to San Diego which some of my pals at Redlands and I attended.  It was the Chicago Symphony Orchestra conducted by Georg Solti playing Mahler Symphony #5.  That evening made a big difference in my outlook.  I decided to take the plunge and try to become a professional performer and leave the band director goals behind.   I transferred to the University of Southern California, because Tommy Johnson taught there.  He was the final word as far as learning how to play the tuba in Southern California although I still took lessons from Roger Bobo.  In the spring of 1975, I received a call from Bobo who said that there was a tuba position open in the Israel Philharmonic.  He thought I should audition for it.  I would be playing for Zubin Mehta [Music Director of the Los Angeles Philharmonic and Conductor/Music Advisor of the Israel Philharmonic].  It was pretty easy to drive to the audition site at the Los Angeles Music Center.  The trombone section from the LA Philharmonic listened along with Mehta to me and a couple other players.  Mehta had some other people to listen to in other cities.  I drove back to USC and continued my day.  It was about two weeks later that I got a call from Bobo, who said that Mehta wanted me for the Israel Philharmonic and I should give him a call at a hotel in Italy.  I was on cloud nine.  I gave him a call and I got a contract in the mail. [Gene graduated from USC and then began playing with the Israel Philharmonic in 1975].

What do you enjoy most about your life as a musician?  

While I very much enjoy being on stage playing in the orchestra, I really enjoy playing recitals, picking my own repertoire, and having the privilege of introducing new music, old music, abused music and/or unused music, to people.    I like the opportunity to be able to stand in front of an audience and open the musical doors wide and be welcoming so people can relate to what they are about to listen to.  I think it’s really important to do that.  If you are playing a great piece of music, serve it on bona fide china rather than on a paper plate.  It will make it seem more special to the people listening.  By telling just a few facts about the music or the composer at the time of his writing a piece, you can greatly enhance the perception of how the piece is heard.

Chicago Symphony Orchestra Russia and Italy Tour

CSO tuba Gene Pokorny hits a few high notes in warm up before a concert in Brescia.             © Todd Rosenberg Photography 2012

Please share a bit about memorable experiences you have had playing in bands.

My high school experience with bands was very unrewarding.  I learned that it could have been much different and a lot better when I went to several summer music camps.  One was at the Idyllwild School of Music and Arts [now called the Idyllwild Arts Academy]. The band director when I was there was Benton Minor [who taught at the California State University – Fullerton]. He was a highly-disciplined task master who insisted that you always show up at least 10 minutes before rehearsal and that you always have a rehearsal pencil.  If not, you would suffer.  That was not a threat; that was a promise.  There have been times when I left for rehearsal here [CSO], and if I discovered that I did not have my rehearsal pencil with me, I would go home to get it.  It was better than being guilt-ridden.  The lasting impression I had of Benton Minor was the idea of a pyramidal sense of balance, where the bottom register is the strongest and most reliable in pitch and rhythm.  Consequently, the highest notes in the ensemble are of lesser importance.  I heard this idea espoused by W. Francis MacBeth [renowned wind composer] and Clarence Sawhill [band director at UCLA] who taught at Arrowbear Music Camp in California.  I thought that’s the way an orchestra should be balanced.  I later found out that that is what George Szell brought to the Cleveland Orchestra.  Anyway, after my orchestra career started, I really missed playing in band and its repertoire – Gustav Holst’s Military Suites, Ralph Vaughan Williams’ Toccata Marziale, H. Owen Reed’s La Fiesta Mexicana, music of Roger Nixon, etc.  The only band repertoire that made it onto the orchestra stage was when Erich Leinsdorf conducted the St. Louis Symphony in an orchestral version of Karel Husa’s Music for Prague 1968, which I remember from high school honor band. There have been times when I have gone incognito in some local community bands either hiding in the tuba section or hiding in the third clarinet section.

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What have been some of your musical influences?

Majors influences (some retired/late) include:

Larry Johansen – taught tuba at University of Redlands when I first arrived there in 1971.

Jeff Reynolds (bass trombone – Los Angeles Philharmonic, choir director – Moravian Church of Downey, California). Influential teacher, hero.  He was my model.

Roger Bobo (tuba – Los Angeles Philharmonic) The singularly most distinctive tuba sound around.  He is to tuba as Pavarotti was to being a tenor. 

Tommy Johnson (tuba – Los Angeles studios) Influential teacher during formative time.  Crown prince of the low register.

Red (David) Lehr (sousaphone – St. Louis; traditional jazz, ragtime, dixieland) I don’t know of a player who plays any smoother. Red is the most amazing legato tuba player I have ever heard, and his main influence was Pete Fountain (iconic New Orleans traditional jazz clarinetist)

Mordechai Rechtman (Principal bassoon – Israel Philharmonic) He could completely control the orchestra with his instrument from where he was sitting.

George Silfies (Principal clarinet – St. Louis Symphony) A consummate musician.

Arnold Jacobs (tuba – Chicago Symphony) had a distinctive sound and tension-less approach.

Floyd Cooley (tuba – San Francisco Symphony) Had a solo sound that offered another approach for me from my earliest influences

Rex Martin (Professor of tuba – Northwestern University) I’d describe him as a young and vital Arnold Jacobs with an amazingly large tool box to help fix playing problems.

Warren Deck (tuba – New York Philharmonic) Is probably my favorite orchestral tuba player.

Larry Combs (Principal clarinet – Chicago Symphony) One of those players who never failed to take my breath away. 

Steve (Stephen) Williamson (Principal Clarinet – Chicago Symphony Orchestra) I never thought I’d hear anyone as good as that.

Michael Mulcahy (trombone – Chicago Symphony Orchestra) The only predictable thing about Mulcahy’s playing is that it is unpredictable. When I attend a recital of his, I know I am going to have an exciting ride.


Please join us on Sunday, November 6, 2016 at 3:00 pm at Pick-Staiger Concert Hall, Northwestern University; 50 Arts Circle Drive in Evanston, Illinois for Reflections,  conducted by Artistic Director Mallory Thompson, and featuring guest soloist Gene Pokorny, Principal Tuba of the Chicago Symphony Orchestra!

Program highlights will include:
Elegy – John Barnes Chance
Gene Pokorny, tuba soloist
o Turbulence – Bruce Broughton
o Over the Rainbow – Harold Arlen/arr. Alan Morrison/trans. Joseph Kreines
Festive Overture – Dmitri Shostakovich/arr. Donald Hunsberger
October – Dmitri Shostakovich/arr. Preston Mitchell

Ticket Information:
Individual concert tickets are $20 each, seniors $15, students/children $10.To make these unforgettable performances accessible for music lovers of all ages we offer special group rates to groups of 10 or more.  Call us at 847-432-2263 or email adam@northshoreband.org  to customize your group ticket package today!

Tickets are available in advance or at the box office on the day of the concert.
The box office opens at 2:00 pm on the day of the concert.

For More Information:
Visit www.northshoreband.org or call (847) 432-2263.

Musicians & Music

Meet the extraordinary men and women of Northshore Concert Band who have dedicated their lives to making music!

JASON BEAUMONT

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Jason Beaumont plays the French Horn and has been with the Northshore Concert Band since 2014. He is a Filmmaker/Video Producer and lives in Chicago, Illinois.

When and why did you start playing? I started playing horn in high school when the marching band didn’t have enough horns and too many saxophones, which is the instrument I started on.

What do you enjoy most about playing? I love being a part of an ensemble and kind of syncing up, so to speak, with others in a way that only music provides.

Do you have a favorite musical memoryIn college, I got to play in a pit orchestra for The Secret Garden and I was the only student playing with the faculty brass. I felt like a big shot.

What are your musical influences? Aside from the big composers of the last few centuries, I have always felt a huge connection with the great movie scores of John Williams and James Horner. And as a filmmaker now, that would explain why I’m always trying to shoehorn (pun very much intended) my horn playing into the indie films I’m shooting.

Who was your most influential music teacher? My high school band director, Ron Curtis. He was so supportive, gave great life advice, and someone I considered a great friend.

Does anyone in your family play music? My sister played flute in high school, but I think I’m the only one who regularly leaves the house in a tux.

What’s on your iPod? Let’s just say that it’s a weird enough array of music that a thief would probably return it just to see what kind of person I must be.

Do you have any advice for young musicians? Keep at it and it will always bring you joy and a nice stress reliever. You don’t have to go pro to play in very talented groups, as this non-pro horn performance degreed person will tell you. Also, don’t get a performance degree.

What makes performing with Northshore Concert Band different than performing with other groups? The NCB has both a great dedication to high musicianship and education outreach that I don’t see in many groups. It’s inspiring and makes me work hard.

List three words to describe the Northshore Concert Band. Artistic. Prolific. Terrific.

Please add anything else that you would like our readers to know about you.  Remember, it’s not spit that we French horn and other brass players are dumping out all through a concert, its condensate lung water. Big difference.

Learn more about the Northshore Concert Band at http://www.northshoreband.org

Follow this blog to receive more informative and entertaining interviews of Northshore Concert Band members in this Musicians & Music series!

41 Years of Musical Inspiration!

The 41st Annual Northshore Concert Band Festival of Music, held at the Northwestern University Campus in Evanston, Illinois, is March 17-18, 2017.

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This annual event offers more than 2,000 K-12 music students a unique musical experience by combining developmental performance opportunities with demonstration performances by outstanding local musicians. Over the past 40 years the Festival of Music has touched the lives of more than 100,000 music students.

Highlights of the Festival of Music include Concert Band Clinics, Solo and Ensemble Contest and a Northshore Concert Band concert at Pick-Staiger Concert Hall at Northwestern University in Evanston, Illinois.

Concert Band Clinics

Full concert bands will have the opportunity to work with highly regarded university directors, all of whom have a great deal of clinic experience, for a 50-minute clinic in a noncompetitive, non rated format. The clinics, which are not open to the public, are informal, with no requirements about the number or types of pieces that must be performed. It’s a unique no-pressure environment for your ensemble to work with and receive valuable feedback from top educators.

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The Festival of Music offers students a comprehensive musical experience. Public and private school band directors may bring their concert bands for a 50-minute clinic. This year’s outstanding clinicians include: from Northwestern University, Mr. Daniel Farris & from St. Charles North, retired band director, Mr. James Stombres. The noncompetitive, non-rated format of these clinics emphasizes education rather than a grade or score.  Like last year, all band clinics will take place in Pick-Staiger Concert Hall.  This is a great opportunity for all bands, regardless of age, to perform in an outstanding venue.

Solo and Ensemble Contest

Student musicians will perform solos and ensembles for area band directors and musicians from the Northshore Concert Band, receiving both verbal and written feedback following the performance. Adjudication is available for all wind, string, and percussion instruments as well as voice and piano. Recipients of a I or II rating will receive an award medal.

Unlike other area solo and ensemble contests, the Northshore Concert Band Festival of Music is open to all public and private school teachers as well as private instructors, with no membership dues or fees. In addition, while students wait for their rating, they can attend a free Northshore Concert Band performance!

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Band Concert

Don’t miss the opportunity to hear a free hour-long concert by the 100-piece Northshore Concert Band, internationally recognized as one of the world’s best adult concert bands.

When  students leave the Festival of Music, they’ll have more than a rating. They will have the opportunity to leave as better well-rounded, aware musicians!


Register Today!

The 2017 Festival of Music Instructor Registration deadline is

October 5, 2016!

Slots for band clinics are limited and fill up quickly. Applications are accepted in the order they are received so don’t delay. For the solo and ensemble contest, simply estimate the number of students who may participate. Send no fees now. Payment information and solo and ensemble entry forms will be provided in our November mailing, or will be available in November for download from http://www.northshoreband.org.

We invite public and private school band directors and school and private music instructors  to please complete the online form available here to reserve a space for your students.


What people are saying about the Northshore Concert Band Festival of Music:

“The Northshore Concert Band is an example of perfection in concert band performance. To have these outstanding musicians available to share their expertise and love of music with student musicians in a very positive and encouraging way is an invaluable learning opportunity.”                                                         — Patricia White, Private Teacher, Addison, IL

“The trip to Northwestern University to perform as part of the Northshore Band Festival is one of the most highly anticipated events of the year. The bonding done by students while visiting the city and performing together in Pick- Staiger is invaluable to the program. The band immediately plays with more focus and accuracy after attending a clinic. It is truly one of the most beneficial activities you can do with your band.”                                                                                                               — Michael Ross, Band Director, Appleton West High School Bands, Appleton, WI

“It is a rich and rewarding experience for students to prepare and learn from experts in their fields. Add the inspirational setting of Northwestern University and the students walk away with memories that will last well into the future!”                                                                                                     — Renee DeJager, Band Director, Timothy Christian Schools, Elmhurst, IL

 “The biggest advantage for me to come to the Northshore Band Festival is that it accommodates my group which consists of a multitude of ages—5th graders through seniors in high school. We get a variety of experience, and I don’t have to go to different sites to get the same job done. I get everything done in one day.”                                                                                                                                      — Karen Kurtz, Band Director, Westlake Christian Academy, Grayslake, IL


If you have any questions please contact the Northshore Concert Band Festival of Music manager Kendra Gohr at 1-847-432-2263 ext. 701 or festival@northshoreband.org.