Peter Lograsso: Fiddler on the Loose!

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Our Spring concert, Giving Voice to the Silenced, honors Holocaust Remembrance Day and Earth Day through a musical program that offers a story of vitality, loss, contemplation, and possibility.

The centerpiece of the first half of this program is a specially constructed “Remembrance Suite” that includes Jack Stamp’s Scenes from Terezin, which is based upon the poems of Ava Scholsova and Fronta Bas, both of whom died in the Auschwitz concentration camp.  Our Suite also includes John William’s dramatic Theme from Schindler’s List, which features one of our own members, Peter Lograsso, on violin.

Peter, an orchestra director, has played the tuba with the Northshore Concert Band for 28 years.

We asked him share his thoughts on playing both the violin and the tuba.

The violin is actually my major instrument, not the tuba. I started playing the violin in first grade after hearing a performance by members of the Cleveland Orchestra at my elementary school. Shortly after that my parents enrolled me in a Suzuki violin program at our church. It wasn’t until the 5th grade that band lessons were offered at my school. I started learning the trumpet so I could be in the band with all my friends. During my years in school I played the french horn, trombone, and eventually the tuba. My band director needed someone to play the tuba and I figured, why not?

I’ve always enjoyed the dichotomy of playing the violin and the tuba. The two instruments play such different roles in an ensemble. As a music educator, I really feel that my experience with both instruments has helped me develop a deeper appreciation and understanding of the importance of every section of the band or orchestra. The violin is the soprano, the “diva” of the orchestra. In an orchestra the violin carries the melody the majority of the time, much like the flutes and clarinets in a band. The tuba is the bass, the “rock.” It provides the fundamental sound that everyone else must listen to and build upon.

I always ask my orchestra students, “What is the most important instrument in the orchestra?” Their answer is almost always the violin. I say to them “No, the violins just think they’re the most important!” It’s the bass that is the most vital instrument of all. Without a strong, stable foundation, you won’t have a strong ensemble.

We also asked Peter to share this thoughts on performing a solo with the Northshore Concert Band.

It’s a real thrill to play a solo with the Northshore Band. This is the second time that I’ve had the opportunity. In the Summer of 2001 the band toured the South of France and I played “Highlights from Fiddler on the Roof.”

I have such respect and admiration for all of my colleagues in the Northshore Band. I’ve been a member of the band for my entire adult life. John Paynter invited me to join the tuba section right after I graduated from Northwestern, and I’ve been here ever since.

Many of the closest friends in my life are members of the Northshore Band. We make music together every Wednesday night, but we share so much more.

Don’t miss Peter Lograsso’s solo violin performance during Giving Voice to the Silenced, 3:00 pm April 23, 2017 concert at Pick-Staiger Concert Hall on the beautiful Northwestern University campus in Evanston, Illinois.

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Be sure to check out Peter in the NCB Tuba’s “Baseball Card” in the Giving Voice to the Silenced concert program book (pp 23-24)!

American Composer David Maslanka

On April 23, 2017, the Northshore Concert Band continues its 61st season with Giving Voice to the Silenced. This powerful musical program features two works by acclaimed American composer David Maslanka; California and A Child’s Garden of Dreams.

A Child’s Garden of Dreams  was commissioned by and dedicated to Northshore Concert Band founder John P. Paynter and his wife Marietta Paynter and the Northwestern University Symphonic Wind Ensemble. The Northshore Concert Band will perform A Child’s Garden of Dreams at Pick-Staiger Concert Hall at Northwestern University in Evanston where it was first performed 35 years ago.  Mr. Maslanka offers up this description of his work:

“A Child’s Garden of Dreams” came about through a commission from John Paynter of Northwestern University. The music was composed in 1981, and the premiere performance was at Northwestern in 1982. Paynter had asked me to write a piece that was the wind equivalent of Bartok’s “Concerto for Orchestra.” This was a daunting challenge but I said “Sure!” The five movements of “A Child’s Garden” are based on dreams of a young girl who, unknown to her, was at the end of her life. The dreams were presented and discussed by the psychologist, Carl Jung, in his book, “Man and His Symbols.” The dreams are about transition and transformation, a prefiguring of her passing. Jung found it both disturbing and fascinating that such dreams could come through a child. I have long been fascinated by ideas of transformation, in this life, and beyond, and my music is an attempt to capture the central energy of each of the dreams. Sometimes there is graphic illustration as in the third dream where animals grow to an enormous size and devour the girl, and sometimes there is a subtle parallel flow of music and philosophical thought, as in the second dream: “A drunken woman falls into the water and comes out renewed and sober.” What is evoked by both the dreams and the music is a much larger view of life and death than we normally have.”

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The program also features California, premiered February 13, 2016 by the California All-State Wind Symphony and was conducted by Northshore Concert Band’s Conductor and Artistic Director Dr. Mallory Thompson. Mr. Maslanka describes this piece:

“California” was written for the the 2016 California All-State Band, and the premiere performance was conducted in San Jose by Mallory Thompson. Music education in California had seen a revival after years of funding cuts, and there was a renewed statewide sense of possibility in public school music teachers. I was asked to write a piece that might reflect some of that new-found energy and purpose. My thinking went deeper to touch some fundamental element of the strength of the California land and its people. The music is quietly and beautifully expressive at the outset, and rises to moments of great intensity before settling once more to a quiet close.”

 

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Born in New Bedford, Massachusetts David Maslanka attended the Oberlin College Conservatory where he studied composition with Joseph Wood. He spent a year at the Mozarteum in Salzburg, Austria, and did masters and doctoral study in composition at Michigan State University where his principal teacher was H. Owen Reed.

Maslanka’s music for winds has become especially well known. Among his more than 130 works are forty pieces for wind ensemble, including seven symphonies, fifteen concertos, a Mass, and many concert pieces. His chamber music includes four wind quintets, five saxophone quartets, and many works for solo instrument and piano. In addition, he has written a variety of orchestral and choral pieces.

David Maslanka’s compositions are published by Maslanka Press, Carl Fischer, Kjos Music, Marimba Productions, and OU Percussion Press. They have been recorded on Albany, Reference Recordings, BIS (Sweden), Naxos, Cambria, CRI, Mark, Novisse, AUR, Cafua (Japan), Brain Music (Japan), Barking Dog, and Klavier labels. He has served on the faculties of the State University of New York at Geneseo, Sarah Lawrence College, New York University, and Kingsborough Community College of the City University of New York, and since 1990 has been a freelance composer. He now lives in Missoula, Montana. David Maslanka is a member of ASCAP.

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A special thank you to Mr. Maslanka for generously offering us his thoughts on his two beautiful works and for giving permission to reproduce this material.  Please visit his website at www.davidmaslanka.com to learn more about this American composer.

Giving Voice to the Silenced

Sunday, April 23, 2017, 3:00 pm

Pick-Staiger Concert Hall, Northwestern University, 50 Arts Circle Drive, Evanston, Illinois

Hear the Music. See the Music. Feel the Music.

When you go to a concert hall you will hear the music, you will see the music and you will feel it come alive!

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It is important that children develop an appreciation of the arts!  It develops their language and listening skills, increases their attentions span, and teaches them creativity, discipline and self-esteem. Taking children to live concerts helps them gain an appreciation for music. They are given the opportunity to see musicians that love performing music! There is an “event” quality to a live concert at a concert hall that children realize and appreciate.

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The Lifetime of Music event, now in its 15th year, is designed to introduce young musicians to the idea that “music is for a lifetime”.  It is an extraordinary opportunity for students to gain the experience of being a part of a large symphonic sound as they join the members of the world-renowned Northshore Concert Band to perform on the stage of the Pick-Staiger Concert Hall. It is also an extraordinary opportunity for children to sit in an audience and see other children performing on stage.

This was such an amazing experience. I truly appreciated every part and it was an honor playing with a very well-known band. It’s my dream to eventually conduct a band as great as this one. I hope to come back and perform again!”                 –Alex Damato, Lifetime of Music student, Westchester, IL

This musical performance is a highlight of every season. In this year’s concert, titled Youthful Spirit, students and band members combine to perform exuberant music that expresses a cheerful American spirit with heartfelt optimism!

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The students truly enjoyed everything about the event and were inspired by the dedication of adults to the continuation of their musical journeys.  My seniors involved in this concert expressed their interest in signing up for band in college and continuing to play in a community band in the future because of the experience they had.”   –2016 Lifetime of Music participating band director

The Northshore Concert Band has brought music to the Chicago metropolitan area for 61 years. Their engaging music education programs demonstrate to younger musicians that there are opportunities for them to play and enjoy their instruments their entire lives, regardless of whether they choose a musical vocation.

 


 

Concert Information: Youthful Spirit Sunday, February 12, 2017, 3:00 pm Pick-Staiger Concert Hall, Northwestern University, 50 Arts Circle Drive, Evanston, Illinois

Ticket Information: Individual concert tickets are $20 each, seniors $15, students/children $10. Tickets are available in advance or at the box office on the day of the concert. The box office opens at 2:00 pm on the day of the concert. Online Tickets are available here.

Bring A Group! To make these unforgettable performances accessible for music lovers of all ages we offer special group rates to groups of 10 or more.  Call us at 847-432-2263 or email adam@northshoreband.org  to customize your group ticket package today!

 

Experience the Musical Excellence of Northshore Concert Band www.northshoreband.org 

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Music Is For A Lifetime!

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THE NORTHSHORE CONCERT BAND CONTINUES ITS 61ST SEASON WITH YOUTHFUL SPIRIT!

In a highlight of the season, some of the most talented young musicians in the Chicagoland area join the Northshore Concert Band for our “Lifetime of Music” program.

This Lifetime of Music concert celebrates both the youthful spirit of our student guests and that same spirit that exists in all of us. Percy Grainger toured the British countryside, collecting folk songs and preserving them on wax cylinders. His colorful masterwork, Lincolnshire Posy, is a delightful depiction of both the folk songs and personalities of the folk singers that he recorded. The students and band members combine to perform exuberant music that expresses a cheerful American spirit with heartfelt optimism!  Our popular Annual Silent Auction will be held in connection with this concert and is held in the lobby of the Pick-Staiger Concert Hall.

 

Program highlights will include:

  • Stampede – Steven Bryant
  • Lincolnshire Posy – Percy Grainger/ed. Frederick Fennel
  • Overture to Russlan and Ludmilla –Mikhail Glinka/arr. Matt Johnston

 

Concert Information:

Youthful Spirit

Sunday, February 12, 2017 at 3:00 pm
Pick-Staiger Concert Hall, Northwestern University, 50 Arts Circle Drive, Evanston, Illinois

Ticket Information:

Individual concert tickets are $20 each, seniors (65+) $15, students/children $10.
Tickets are available in advance or at the box office on the day of the concert.

The box office opens at 2:00 pm on the day of the concert.

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Music is a natural part of everyone. It creates an atmosphere of fun, interaction and excitement. That is why children are naturally drawn to it. If we nurture this ability, music will provide a lifetime of enjoyment and creativity.